Regal Finesse Pro

Regal Finesse Pro is a multi-award-winning typeface. Recently it received a ‘red dot: best of the best 2012’ award as part of the Regal Pro type system. This is an elegant, luxurious, sexy and vibrant serif typeface which incorporates several distinct elements blended with classic forms.

Das Grotesk Mono Pro

Das Grotesk Mono is based on the popular Das Grotesk Pro which was inspired by earlier nineteenth-century grotesques. Due to their pure geometric structure, most grotesque typefaces tend to have a rather monotonous and lifeless appearance. Das Grotesk on the other hand is a lively design with several distinguishable characteristics.

Centro Sans Compressed

Centro Sans Compressed is part of a larger type system that includes an extra condensed and a condensed version which all together complement the award-winning Centro Sans Pro type family. It was originally developed for the redesign of the Financial Times Deutschland newspaper in order to offer a strong readable custom font family which managed to retain the serious reputation of the newspaper.

Dekka Mono Pro

Dekka Mono Pro was based on its proportional counterpart Dekka Pro and is comprised of characters with fixed width. The spacing attributes of the glyphs were redefined and legibility was further improved by revising the shape of the letterforms. Kerning was not included in order to preserve the monospace nature of this typeface.

Centro Sans Condensed

Centro Sans Condensed is part of a larger type system that includes an extra condensed and a compressed version which all together complement the award-winning Centro Sans Pro type family. It was originally developed for the redesign of the Financial Times Deutschland newspaper in order to offer a strong readable custom font family which managed to retain the serious reputation of the newspaper.

Bague Round Pro

Bague Round is a soft contemporary geometric typeface which blends distinct minimalist characteristics with mainstream details. It originates from Bague Universal, a superfamily with a warm well-balanced texture and a distinct personality. Usually, round sans letterforms tend to look rather organic and playful at heavier weights. This problem was avoided in Bague Round by applying all necessary optical corrections at the rounded corners in order to retain its robust qualities.

Centro Sans Extra Condensed

Centro Sans Extra Condensed is part of a larger type system that includes a condensed and a compressed version which all together complement the award-winning Centro Sans Pro type family. It was originally developed for the redesign of the Financial Times Deutschland newspaper in order to offer a strong readable custom font family which managed to retain the serious reputation of the newspaper.

DIN Stencil Pro

Despite the fact that over the years several designers have manually created stencil lettering based on DIN for various projects, there has never been a professional digital stencil version of a DIN-based typeface. DIN Stencil Pro was based on its original counterpart DIN Text Pro and was particularly designed to address contemporary projects, by incorporating elements and weights which are akin to industries such as fashion, music, video, architecture, sports and communications.

DIN Mono Pro

PF DIN Mono Pro is the latest addition to the ever-growing set of DIN superfamilies by Parachute®. This is a monospaced typeface which is comprised of characters with fixed width. Traditionally, monospaced fonts have been used to create forms, tables and documents that require exact text line lengths and precise character alignment.

Centro Sans Pro

Centro Sans Pro is an award-winning typeface. It is part of a major type system which includes serif and slab superfamilies. Centro Sans is an almost ‘invisible’ typeface with distinct personality which stands out at larger sizes. It does not attract any unnecessary attention at small sizes but it still gives you the essence of a very clean, expressive, legible and modern typeface appropriate for a wide range of design works.

Bague Uni Pro

PF Bague Universal is a contemporary geometric typeface superfamily which blends distinct minimalist characteristics with mainstream details. Despite its inspiration from Herbert Bayer’s drawing of the 1920s, it diverts from the constructivist rigidity and display structure of early geometric typefaces by incorporating humanist characteristics as well as classic letterform shapes with a high degree of legibility which balance out the extremity of the minimal shapes.

Bague Inline Pro

Bague Inline Pro is a flexible, charming and stylish typeface with strong modern aesthetics. This is the only commercially available inline typeface that comes in 4 weights for uppercase and lowercase letters. A very interesting feature of Bague Inline is its vast array of uppercase alternates and discretionary ligatures which truly shine when set at display sizes.

Benchmark Pro

Benchmark Pro is a carefully structured geometric typeface which works amazingly well in body text due to its simplistic nature and large x-height. The design of Benchmark Pro started out as an attempt to convert the minimalistic structure of a technical and purely geometric design into a readable modern and friendly sans serif.

DIN Text Pro

The DIN Text series was based on the original standards but was completely redesigned to fit typographic requirements. Completed in 2002, it was first released in 2003 and published as a group of 4 separate families each with 12 weights. The DIN Text Pro series is an improved version which has been enhanced with more weights, multilingual support and opentype features.

Champion Script Pro

PF Champion Script Pro is the most advanced and powerful script ever made. Developed over a period of two and a half years, each one of the 2 weights is loaded with 4300 glyphs(!), offering simultaneous support for all European languages based on the Latin, Greek and Cyrillic scripts.

Das Grotesk Pro

Das Grotesk was inspired by earlier nineteenth-century grotesques, but it is much more related to American gothic designs such as those by M.F. Benton. Due to their pure geometric structure, most grotesque typefaces tend to have a rather monotonous and lifeless appearance, thus failing to express the ideals of the modern creed.

Bague Slab Pro

PF Bague Slab Pro draws its inspiration from early 20th century slabs and was designed as a companion to Bague Sans, a versatile monoline typeface with a distinct and eye-catching personality. Following its predecessor’s design guidelines, it overcomes the monotonous and mechanical rigidity of early geometrics by introducing subtle variations in stroke width and semi-wedge serifs rather than square slabs.

Regal Swash Pro

Regal Swash Pro is a multi-award-winning typeface. Recently it received a ‘red dot: best of the best 2012’ award as part of the Regal Pro type system. This is an elegant, luxurious, sexy and vibrant serif typeface which incorporates several distinct elements blended with classic forms.

Centro Slab Pro

Centro Slab Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 as part of the Centro Pro type system which has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications.

Beau Sans Pro

The design of Beau Sans was inspired by Bernhard Gothic which is considered one of the first contemporary American sans serifs and was designed by Lucian Bernhard in the late 1920’s. Beau Sans Pro is a modern sans serif family of 16 fonts which includes true-italics.

DIN Display Pro

DIN Display retains PF DIN Text’s basic characteristics but it shines with its sharper corners and contemporary look. Apart from its distinct and robust display squarish nature which is equally suitable for print as well as web projects, it performs amazingly well in small sizes delivering a clean and stylish body text.

Adamant Pro

The Adamant family is a serif typeface that comes in six weights, from Light to ExtraBold, each with italic and small caps versions. Every font includes ligatures, lining and oldstyle figures in proportional and tabular widths, fractions, alternate characters, and other typographic features.

Nuyork Arabic

Nuyork Arabic was designed to emphasize on the individual Arabic letter visual traditional characteristics. Including 5 weights, it was designed with both text and display applications in mind. This font is intended to produce virtually cursive texts without eliminating the clarity or look-and-feel of the individual Arabic letters.

Introducing Adamant Sans